Shakespeare Songs of Lola Williams, Volume I (C116) (C116)

Shakespeare Songs of Lola Williams, Volume I (C116)
Model# C116

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Shkespeare Songs of Lola Williams, Volume I


High/Medium, High Voice, and Piano

Edited by Sarah Moulton Faux, Ted Taylor, and Amy Scurria

  1. Plot of the Fairy King - C4-45
  2. O Mistress Mine - Bb-A5
  3. Come Away, Death - C4-Ab5
  4. 4. Feste’s Song - A3-A5

ClarNan Editions 2021

CD available from New World Records, see link below.

Songs of Lola Williams

Lola Williams (née Lola Marler Rogers) was born in Yadkinville, NC, and raised in Durham, NC. As a child,

Lola sang in her church choir and took piano lessons, winning a gold medal in a local music competition. For

her twelfth birthday, she wished for a bicycle but received an Ivers & Pond piano instead; as an adult composer,

she came to appreciate this gift more fully.Williams completed a degree in English at Duke University in 1934

and accepted a position teaching music at Oak Grove School outside Durham.

Over the next four decades, she taught various combinations of music (including directing choruses), writing and

English literature at Calvert Method School (now Durham Academy), Carr Junior High and Durham High School.

Around the age of sixty, Williams retired and immersed herself in an intense study of the works of William

Shakespeare. She read plays, poetry and critical commentary extensively, and she traveled to Stratford-on-Avon

and London multiple times, including a research trip supported by the teachers’ sorority Alpha Delta Kappa. Williams

began to engage creatively with Shakespeare on many levels: she wrote critical essays and original verse, and she

began to compose art songs for one, two and three female voices. As a composer, Williams was almost entirely

self-taught. The closest she came to formal study was a few composition lessons with opera composer Michael Ching

during his own period of undergraduate studies with Williams’s friend Robert Ward (1917–2013) at Duke University.

Williams’s nearly two dozen art songs, primarily using Shakespearean texts, reveal a remarkable level of

sophistication. A few of these songs were performed in gatherings of the Friday Morning Music Study Club

and the Three Arts Club in Durham over the years, as well as in one public performance in 1981 as part of the

Duke University Summer Festival of Arts. Upon Williams’s death in 2013, three months shy of her hundredth

birthday, her son Derek began to look through the cardboard boxes of his mother’s compositions. He enlisted

the help of soprano Sarah Moulton Faux, a former student of his at Phillips Academy, Andover, who recognized

the value of Williams’s compositions. With the assistance of composer Amy Scurria, Ms. Faux and conductor

Ted Taylor pored over piles of handwritten manuscripts, recorded Where Should This Music Be? Songs of

Lola Williams (Sarah Moulton Faux, soprano, and Ted Taylor, piano; New World Records, 2019), and prepared

the scores for publication.

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