Both waltzes are based on the famous musical cryptogram B-A-C-H and were created in 1975. The very same year, Nino Rota was asked by Federico Fellini, who was just shooting the film Casanova
, to write pieces he wanted to use for his film. Thus, Due Valzer sul nome BACH
became a part of the film score of Fellini's Casanova
and ultimately its main motifs. The third waltz in this series remained unfinished.
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